In 1895, Bunny met his future wife Jeanne Morel a fellow art student. She became the subject of many paintings, which increasingly depicted groupings of languid, dreamy female figures. These paintings reflect the leisured spirit of the belle époque, elegantly capturing voluptuous women, often holding fans; lounging inside homes; on porches & balconies; & in a bathhouse, often inhaling the intoxicating scent of freshly plucked summer flowers. Bunny modeled most of the figures on his wife Jeanne Morel, who sat for numerous paintings from this period. Bunny’s depictions of his wife Jeanne & her friends typified the elegance, fashionable frills, & glamour of the seemingly endless summer that was the belle époque.
Rupert Charles Wulsten Bunny (Australian artist, 1864–1947) Summer Morning
Rupert Charles Wulsten Bunny (Australian artist, 1864–1947) Who Comes
Rupert Charles Wulsten Bunny (Australian artist, 1864–1947) Cherries
Rupert Charles Wulsten Bunny (Australian artist, 1864–1947) Detail Summertime
Rupert Charles Wulsten Bunny (Australian artist, 1864–1947) Idle Hours On the Balcony
Rupert Charles Wulsten Bunny (Australian artist, 1864–1947) Moonlight Sonata
Rupert Charles Wulsten Bunny (Australian artist, 1864–1947) Nattering
Rupert Charles Wulsten Bunny (Australian artist, 1864–1947) A Word of Advice