Style of Caspar Netscher (Dutch artist, 1639-1684) Portrait of a Young Lady at a Fountain
By the 17C & 18C, artists portrayed women & girls, often the eligible daughters of the patrons commissioning the portraits, near a fountain.In these fountain settings, the young lady is often depicted in the mythical realm of Arcady, a fashionable conceit of the time. At the center of Arcady is the Garden of Love, where a figure of Cupid sits atop a fountain. The young lady places her hand in the flowing water...this is a motif much used by Van Dyke & Lely & it makes an allusion to her potential as a wife & mother, recalling Proverbs, Chapter 5, Verse 18 "Let thy fountain be blessed, & rejoice in the wife of thy youth."Peter Lely (English artist, 1618-1680) Unknown Lady at Fountain
Garden fountains were originally purely functional, connected to natural springs or aqueducts & used to provide water for drinking; water for bathing & washing; & water to nurish growing plants. The painting would announce to the viewer that the parent/patron had enough money, taste, & technological expertise to channel the water through an artistic garden fountain. Water was now not just a necessary component of nature, the garden planner could make it an integral component of art both outdoors in his garden & indoors in the paintings on his walls. He could not only interpret nature, he could control it. And in this painting, he could announce his "natural" superiority, & might chose to have the portrait he has commissioned suggest that his young lady was becoming sexually available for the right marriage partner.
Garden fountains were originally purely functional, connected to natural springs or aqueducts & used to provide water for drinking; water for bathing & washing; & water to nurish growing plants. The painting would announce to the viewer that the parent/patron had enough money, taste, & technological expertise to channel the water through an artistic garden fountain. Water was now not just a necessary component of nature, the garden planner could make it an integral component of art both outdoors in his garden & indoors in the paintings on his walls. He could not only interpret nature, he could control it. And in this painting, he could announce his "natural" superiority, & might chose to have the portrait he has commissioned suggest that his young lady was becoming sexually available for the right marriage partner.
1661 Peter Lely (English artist, 1618-1680) Anne Hyde, Duchess of York, 1637 - 1671. Became The First wife of James VII and II.
Nicolaes Maes (Dutch artist, 1634-1693) Young Lady by a Fountain (For those who did not like a blond, serious sitter, Maes apparently painted this more cheerful brunette.)
1650 Attr David Des Granges (British artist, 1611-c.1671) Portrait of Elizabeth, Countess of Carnarvon(1633-1678)
Caspar Netscher (Dutch artist, 1639-1684) Portrait of a Lady with a Fountain in a Garden Beyond the Terrace Wall
1715 Lady Henrietta Crofts, Duchess of Bolton by a fountain
Nicolaes Maes (Dutch artist, 1634-1693) Young Girl stops at a garden fountain as her dog drinks the water below.
Style of Pieter Nason (Dutch artist, c 1612-1688-90) Portrait of a young Anna Catharina van Heemskerck (1676-1723) seated by a fountain on a draped garden terrace
Peter Lely (English artist, 1618-1680) A Young Lady dips her arm in the garden fountain while a dog and child stand nearby