1630 Claude Deruet (French artist, 1588–1660) Duchesse de Monatusier as a Shepherdess
During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints. These pastoral allegories came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.
Many of the 17C portraits of women portrayed as shepherdesses were more seductive than those painted later. The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes. The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such. A more conservative shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.
Many of the 17C portraits of women portrayed as shepherdesses were more seductive than those painted later. The subject might be depicted with bare breasts showing, while wealthy, identified sitters would be painted in more traditional, conservative costumes. The theme of the shepherdess was popular in 17C Dutch art, & it was not unusual for fashionable young women to have their likenesses rendered as such. A more conservative shepherdess theme remained popular & expanded throughout the 18C on both sides of the Atlantic.
1628 Unknown artist from the workshop of Gerrit van Honthorst (Dutch artist, 1592–1656) Portrait of a Lady of the Court as a Shepherdess
1663 Mary Beale (English portrait painter, 1632-1697) Self Portrait of the Artist as a Shepherdess with her Son Charles (1660-1714)
Style of Peter Lely (English artist, 1618-1680) Louise de Keroualle (1649–1734), Duchess of Portsmouth
Style of Peter Lely (English artist, 1618-1680) Barbara Villiers (1640–1709), Countess of Castlemaine and Duchess of Cleveland as Shepherdess with a Lamb
After Peter Lely (English artist, 1618-1680) Eleanor 'Nell' Gwyn (Gwynne) (1651–1687) As Shepherdess with Lamb
After Peter Lely (English artist, 1618-1680) Eleanor 'Nell' Gwyn (1651–1687) As Shepherdess with Lamb
1675 Style of Peter Lely (English artist, 1618-1680) Unknown woman, formerly identified as Eleanor ('Nell') Gwyn
1665 Peter Lely (English artist, 1618-1680) Unknown woman, formerly known as Elizabeth Hamilton, Countess de Gramont
1681 attributed to Caspar Netscher (Dutch artist, 1639-1684) Lady with a Lamb
1650 Gerrit van Honthorst (Dutch artist, 1592–1656) Two Ladies as Shepherdesses
1630s Paulus Moreelse (Dutch artist, 1571-1638) Lady as Shepherdess
1670-99 Unknown British artist, Barbara Villiers (1640–1709), Countess of Castlemaine and Duchess of Cleveland, as a Shepherdess