1750 Philippe Mercier (Philip Mercier) (French artist, 1689-1760) Anne Fairfax as a Shepherdess
During the 17C & 18C artists painted their contemporaries as personifications & allegories, & often painters would put the faces of their patrons on the bodies of the saints. These came to be called donor portraits. These paintings remained popular, as they expanded to show the wealthy sitter as a Greek goddess, or muse, or nymph in in a rustic setting. They grew to include portraits of a shepherdess in pastoral scenes wearing idealized attire, nothing like the clothing worn by real women tending sheep.Early 17C portraits of women portrayed as shepherdesses were more seductive than those painted later. In the 18C, the wealthy, identified sitters would be painted in more traditional, conservative posed & costumes. The shepherdess theme remained popular & expanded throughout the 18C.
1769 Joseph Wright Of Derby (British artist, 1734-1797) Anna Ashton, later Mrs Thomas Case
1760 Carle Vanloo (French painter, 1705-1765) A Lady and Gentleman as elegant Shepherd and Shepherdess
1725 Unknown artist often attr. to Charles Jervas or Charles Jarvis (Irish artist, c 1675-1739) Mary Elizabeth Davenport, Mrs John Mytton, as a Girl, in Shepherdess Costume
1725 Enoch Seeman the Younger (Polish-born artist, 1694–1745) Lady Rachel Cavendish (1697–1780), Lady Morgan, as a Shepherdess
1725 Charles Jervas or Charles Jarvis (Irish artist, c 1675-1739) Lady Rachel Cavendish (1697–1780), Lady Morgan, as a Shepherdess
1710 Godfrey Kneller (German-born English artist, 1646-1723) Lady Mary Pierrepont, Later Wortley Montagu