1602 Catalina de la Cerda, Duquesa de Lerma Fundacion Casa Ducal de Medinaceli, Spain
Ceremonial paintings of women often retained the conservative black & white depictions including the ruff in the 1600s. The ruff usually evolved into a more relaxed form as time passed. Northern European women gave up their traditional black & white dress including ruffs more slowly. The standing ruff survived into the 1620's, but from 1615 to 1640 the falling ruff was more popular.
Giovanna Garzoni (Italian artist, 1600-1670) Marie Christine of France, Duchess of Savoy, wife of Duke Victor Amadeus I, Duke of Savoy, daughter of King Henry IV of France and Maria de' Medici
The ruff remained as a component of the ceremonial dress of city councillors in North German cities; of certain Lutheran clergy in Denmark, Norway, on the Faeroe Islands, in Iceland, & in Greenland.
1632 Rembrandt Harmenszoon van Rijn (1606-1669) Portrait of a Woman, probably a Member of the Van Beresteyn Family
1600s Cornelis de Vos (Flemish Baroque painter, 1584-1651) Antonia Canis
1605 attr to Domenico Robusti, also known as Domenico Tintoretto, (Italian painter, 1560-1635 , Portrait of a Woman