Costumes de Differents Pays, by Jacques Grasset de Saint-Sauveur (France, 1757-1810) c 1797 Hand-Colored Engraving from the Los Angeles County Museum of Art.
By the end of the 18C, worldwide exploration & colonization by Europeans were fairly commonplace, enabling the late 18C & 19C public to catch a glimpse of the clothing & customs of other peoples.
Sunday, February 19, 2023
Saturday, February 18, 2023
17C Almost Outdoors - Women with their Families by Gonzales Coques c.1615-1684
Gonzales Coques (Flemish Baroque Era Painter, ca.1615-1684) A Family Group Outdoors
Friday, February 17, 2023
18C Women Around the World
Costumes de Differents Pays, by Jacques Grasset de Saint-Sauveur (France, 1757-1810) c 1797 Hand-Colored Engraving from the Los Angeles County Museum of Art.
By the end of the 18C, worldwide exploration & colonization by Europeans were fairly commonplace, enabling the late 18C & 19C public to catch a glimpse of the clothing & customs of other peoples.
Thursday, February 16, 2023
17C Women Portrayed as the Goddess Flora by Rembrandt 1606-1669
Rembrandt Harmenszoon van Rijn (1606-1669) - Portrait of Hendrickje Stofells as Goddess Flora
Rembrandt Harmenszoon van Rijn (1606-1669) - Portrait of Saskia as Goddess Flora
In Rome, her festival, the Floralia, was held between April 28 and May 3 and symbolized the renewal of the cycle of life, drinking, and flowers. The festival was first instituted in 240 B.C.E, and on the advice of the Sibylline books, she was also given a temple in 238 B.C.E. At the festival, with the men decked in flowers, and the women wearing normally forbidden gay costumes, five days of farces and mimes were enacted – ithyphallic, and including nudity when called for – followed by a sixth day of the hunting of goats and hares. On May 23 another (rose) festival was held in her honor. Flora's Greek equivalent is Chloris, who was a nymph. Flora is married to Favonius, the wind god also known as Zephyr, and her companion was Hercules. Flora achieved more prominence in the neo-pagan revival of Antiquity among Renaissance humanists than she had enjoyed in ancient Rome.
Rembrandt Harmenszoon van Rijn (1606-1669) - Portrait of Saskia as Goddess Flora
In Rome, her festival, the Floralia, was held between April 28 and May 3 and symbolized the renewal of the cycle of life, drinking, and flowers. The festival was first instituted in 240 B.C.E, and on the advice of the Sibylline books, she was also given a temple in 238 B.C.E. At the festival, with the men decked in flowers, and the women wearing normally forbidden gay costumes, five days of farces and mimes were enacted – ithyphallic, and including nudity when called for – followed by a sixth day of the hunting of goats and hares. On May 23 another (rose) festival was held in her honor. Flora's Greek equivalent is Chloris, who was a nymph. Flora is married to Favonius, the wind god also known as Zephyr, and her companion was Hercules. Flora achieved more prominence in the neo-pagan revival of Antiquity among Renaissance humanists than she had enjoyed in ancient Rome.
Wednesday, February 15, 2023
18C Women Around the World
Costumes de Differents Pays, by Jacques Grasset de Saint-Sauveur (France, 1757-1810) c 1797 Hand-Colored Engraving from the Los Angeles County Museum of Art.
By the end of the 18C, worldwide exploration & colonization by Europeans were fairly commonplace, enabling the late 18C & 19C public to catch a glimpse of the clothing & customs of other peoples.
By the end of the 18C, worldwide exploration & colonization by Europeans were fairly commonplace, enabling the late 18C & 19C public to catch a glimpse of the clothing & customs of other peoples.
Tuesday, February 14, 2023
17 -18C Women Portrayed as Diana Goddess of the Hunt
1765 Carle or Charles-André van Loo (French painter, 1705-1765) Luise Henriette Wilhelmine von Anhalt-Dessau as Diana. She has a dog, an animal-skin wrap, a bow & quiver, & a crescent moon in her hair.
Early European portrait artists sometimes painted their contemporaries as allegories. Allegorical portraits remained popular for several centuries, as they expanded to show the female sitter as a Biblical figure, a Greek or Roman goddess, or nymph or muse in in a rustic setting. Diana is a Roman goddess of the hunt, the moon, & nature, associated with wild animals & woodland. Diana was known as the virgin goddess of childbirth & women. Diana was originally considered to be a goddess of the wilderness & of the hunt, a central sport in both Roman & Greek culture.
1765 Francis Cotes (English Painter, 1726-1770) The Honourable Lady Stanhope and the Countess of Effingham as Diana, and Her Companion. Diana has a hunting spear & a crescent moon in her hair.
"... people regard Diana & the moon as one & the same. ...her name Diana derives from the fact that she turns darkness into daylight. She is invoked at childbirth because children are born occasionally after seven, or usually after nine, lunar revolutions ..." -- Quintus Lucilius Balbus as recorded by Marcus Tullius Cicero & translated by P.G. Walsh. De Natura Deorum (On the Nature of the Gods), Book II, Part ii, Section c.
Early European portrait artists sometimes painted their contemporaries as allegories. Allegorical portraits remained popular for several centuries, as they expanded to show the female sitter as a Biblical figure, a Greek or Roman goddess, or nymph or muse in in a rustic setting. Diana is a Roman goddess of the hunt, the moon, & nature, associated with wild animals & woodland. Diana was known as the virgin goddess of childbirth & women. Diana was originally considered to be a goddess of the wilderness & of the hunt, a central sport in both Roman & Greek culture.
1751 Pompeo Girolamo Batoni (Italian artist, 1708-1787) Sarah Lethieullier as Lady Fetherstonhaugh, as Diana. She has a crescent moon in her hair, a bow & a dog.
Early Roman inscriptions to Diana celebrated her primarily as a patron of hunters. Diana was often considered to be a goddess associated with fertility & childbirth, & the protection of women during labor. Her care of infants also extended to the training of both young people & dogs, especially for hunting. Unlike the Greek gods, Roman gods were originally considered to be divine powers of presence that did not necessarily have physical form. The idea of gods having anthropomorphic qualities & human-like personalities & actions developed later, under the influence of Greek & Etruscan religion. Diana was not only regarded as a goddess of the wilderness & the hunt, but was often worshiped as a patroness of families.
1765 Francis Cotes (English Painter, 1726-1770) The Honourable Lady Stanhope and the Countess of Effingham as Diana, and Her Companion. Diana has a hunting spear & a crescent moon in her hair.
"... people regard Diana & the moon as one & the same. ...her name Diana derives from the fact that she turns darkness into daylight. She is invoked at childbirth because children are born occasionally after seven, or usually after nine, lunar revolutions ..." -- Quintus Lucilius Balbus as recorded by Marcus Tullius Cicero & translated by P.G. Walsh. De Natura Deorum (On the Nature of the Gods), Book II, Part ii, Section c.
1700s Unknown French artist, Portrait of a Lady as Diana, Goddess of the Hunt. She wears a crescent moon in her hair and has an animal-skin wrap, a dog, a quiver & a bow.
1773 after François-Hubert Drouais (French artist, 1727-1775) Marie-Joséphine-Louise de Savoie (1753–1810), comtesse de Provence, as Diana with her faithful hunting dogs, Syrius & Phocion. She has a bow, & an animal-skin wrap.
1700-10 Nicolas de Largillière (French artist, 1656-1746) Portrait of Lady as Diana with her faithful hunting dogs, Syrius & Phocion. She has a bow & quiver nearby.
1771 Robert Hunter (Irish artist, fl. 1748–1780) Lady Margaret Butler Lowry-Corry (1748–1775), as Diana. She has a dog & carries a hunting spear.
1688 Francois de Troy Lady Mary Herbert (1659–1744-1745), Viscountess Montagu, Previously the Honourable Lady Richard Molyneux, and Later Lady Maxwell, as Diana. She has a crescent moon in her hair, a dog, & an animal-skin component to her costume.
1680s Jacob Huysmans (Flemish artist, c 1633–1696) Elizabeth Cornwallis (d.1708), Mrs Edward Allen, as Diana the Huntress with her faithful hunting dogs, Syrius & Phocion. . She has a hunting spear, & an animal skin decoration, & feathers in her hair.
1670s-90s Giovanni Battista Gaulli (Baciccio) (Italian artist, 1639-1709) Diana the Huntress with her hunting dogs, Syrius & Phocion. Her bow & quiver lay on the ground.
1674 Jacob Huysmans (Flemish artist, c 1633–1696) Portrait of a Lady as Diana. She has dogs, a bow & quiver, a hunting spear, & feathers in her hair.
Style of Peter Lely Peter Lely (English artist, 1618-1680) Ann Fanshawe (b.1654), Daughter of Sir Richard Fanshawe as Diana with a dog or a deer.
1670s Copy of Peter Lely (English artist, 1618-1680) Mary II (1662–1694), when Princess Mary of York, as Diana. She has a crescent moon in her hair, a bow & arrow & only the head of her dog companion is visible.
1650 Jan van Mijtens (1613-1670) Lady as Diana. She has a tiny lap dog/hunting dog & carries a quiver on her back.
1650 Charles Beaubrun (Charles Bobrun) (French artist, 1604–1692) Portrait of a lady as Diana. She has a dog & a bow.
1640-50s Attributed to Giovanni Domenico Cerrini (Italian artist, 1609-1681) Christina, Queen of Sweden Alexandra Maria Vasa (1626-1689) as Diana. Here she has her dog & a hunting spear. The crescent moon hangs in the sky above them.
1640 Willem van Honthorst (Dutch artist, 1594-1666) Henriette von Nassau as Diana with her faithful hunting dogs, Syrius & Phocion. She has a bow & quiver with feathers in her hair.
1630 Claude Deruet (French artist, 1588–1660) Marie de Rohan, Duchesse de Chevreuse as Diana the Huntress. She has dogs, a bow & quiver, a hunting horn, & a crescent moon in her hair.
Monday, February 13, 2023
18C Women Around the World
Costumes de Differents Pays, by Jacques Grasset de Saint-Sauveur (France, 1757-1810) c 1797 Hand-Colored Engraving from the Los Angeles County Museum of Art.
By the end of the 18C, worldwide exploration & colonization by Europeans were fairly commonplace, enabling the late 18C & 19C public to catch a glimpse of the clothing & customs of other peoples.
By the end of the 18C, worldwide exploration & colonization by Europeans were fairly commonplace, enabling the late 18C & 19C public to catch a glimpse of the clothing & customs of other peoples.
Sunday, February 12, 2023
17 - 19C Women Portrayed as the Goddess Flora
Detail of Flora from Primavera by Botticelli, c. 1482
In Rome, her festival, the Floralia, was held between April 28 and May 3 and symbolized the renewal of the cycle of life, drinking, and flowers. The festival was first instituted in 240 B.C.E, and on the advice of the Sibylline books, she was also given a temple in 238 B.C.E. At the festival, with the men decked in flowers, and the women wearing normally forbidden gay costumes, five days of farces and mimes were enacted – ithyphallic, and including nudity when called for – followed by a sixth day of the hunting of goats and hares. On May 23 another (rose) festival was held in her honor. Flora's Greek equivalent is Chloris, who was a nymph. Flora is married to Favonius, the wind god also known as Zephyr, and her companion was Hercules. Flora achieved more prominence in the neo-pagan revival of Antiquity among Renaissance humanists than she had enjoyed in ancient Rome.
Rosalba Carriera (Italian artist, 1675-1757) Flora
Jean-Marc Nattier (1685-1766) - Henriette of France as Flora
Justus Sustermans (Flemish painter, 1597-1681) Vittoria della Rovere, Grand Duchess of Tuscany as the Goddess Flora
1620 Cornelis van Poelenburgh, (1594-1667) Woman Portrayed as Flora
1620 Cornelis van Poelenburgh, (1594-1667) Woman Portrayed as Flora
Paulus Moreelse (1571-1638) - Portrait of a Young Woman as Flora 1633
Juan van der Hamen y (Gómez de) León (1596-1631) - Offering for Flora, 1627
Rosalba Carriera (Italian artist, 1675-1757) Flora
Juan van der Hamen y (Gómez de) León (1596-1631) - Offering for Flora, 1627
Rosalba Carriera (Italian artist, 1675-1757) Flora
Rosalba Carriera (Italian artist, 1675-1757) Flora
1685-90 Lady as Flora, by Jan van Haesbergen
Jean-Marc Nattier (1685-1766) - Portrait of a Woman as Flora
Jean-Marc Nattier (1685-1766) - Portrait of a Woman as Flora
Jean-Marc Nattier (1685-1766) - Louise Anne de Bourbon Comtesse de Charolais 1731
Nicolas de Largillierre (French, 1656 - 1746) - Portrait Of Françoise D'Escravayat, Marquise De La Barrière, As Goddess Flora
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