1570 Giovanni Antonio Fasolo, Venetian Noblewoman
By the end of the 1500's, many ruffs were lace made of both needle & bobbin type lace. In the 1580s, ruffs generally began to expand even further outward. They became slightly flatter, no longer filling the space from shoulder to neck; instead, the figure-eights became wider & flatter & the ruff itself became wider in diameter. During the 1590s, both small & large open falling neck ruffs & larger standing ruffs & more open bodice areas became popular. By the end of the 16th century, ruffs were falling out of fashion in Western Europe, often in favor of lacy wing collars.
1578 Unknown Lady by Nicholas Hilliard
1578 Unknown Lady by Nicholas Hilliard
1580 Domenico Robusti Tintoretto Lady in White
1589 Elizabeth Brydges, later Lady Kennedy, daughter of Lord Chandos and maid of honor to Elizabeth I of England, aged 14 by Hieronimo
1595 Mary Fitton by a follower of George Gower Note: Just a little gossip. While researching this painting I found the following, "...Maid of honour to Queen Elizabeth, & alleged to be 'the dark lady' mentioned in Shakespeare's sonnets... Her vivacity made her popular with the young men at court, & she became the mistress of William Herbert (1580-1630), the young earl of Pembroke... Early in 1601 she was "proved with child." Pembroke admitted his responsibility, & both were threatened with imprisonment. The earl "utterly renounced all marriage" and was sent to the Fleet in March, but his mistress, who was delivered of a son, seems to have escaped punishment. The child died soon after birth. According to Sir Peter Leycester (1814-1678) Mary Fitton also bore 2 illegitimate daughters to Sir Richard Leveson, knight...There seems no doubt that she married Captain William Polwhele in 1607." (Stephen & Lee, 1889, p. 83)
1595 Unknown Venetian artist, Portrait of a Noblewoman